Coronado House
bowl
of grapefruit,
freshly picked from
backyard tree, atop
the table,
thick-
skinned,
naturally protected,
as we are
not at all,
these recent
mornings
place
impeccably clean,
and quiet professionals
move in and
out again,
of
vast
room three
defined by her,
the small flicker
who is
left,
pale,
smiling faintly
around sharp humor
we sift her
signals to
locate,
(hurts
to talk
she'd rather listen)
midway through story
someone else
arrives,
this
shifts the
hint of tension,
what to say:
we love
her
quietly
this near
skeleton intelligent heart
the same one
shining across
stage
after
stage, dignified,
magnetic grace shimmering
through rooms, hearts
desiring permanence,
addictive
prospect
certain of
us demand to
make true, regardless
of the
evidence
yearning
for contrary
point-blank facts,
in the car
driving home,
opacity
or
its near
match evolving nothingness,
indebted to those
who offer
kindness
transist
wings touch
wings
that powder
into pastel heat
the picture rests
of you
with breath-toned eyes
your face
from nowhere
real to me
as thought
just now mimics
free pour
of shaping light
as without speech
the elements transist
to vast wing stretch
condone
cauterize the silk
under my
breath
already
June and
fireflies mesh with
screen through which
one gently
breathes
morning
repeats itself
to spawn recollection
blue sky recedes
from porous
remembrance
quantity
not quality
he said presidentially
nocturne
normed daylight sponges average
meaning (surface of the common plan,
formed sense of sea, a layered
solace from this time
(a face lost facts placed through
the scattered cool beneath
pale melody in wind
drawn over pewter slips
of method acting under
glass still clustered
near a hidden hollow line
supporting fruit curved
into gravity (the town
undone along the street
still signified by home
these two young places
Sheila E. Murphy is a much published American poet, who is also much published in Britain by Rupert Loydell’s Stride Publications. Read her online volume, A Sound the Mobile Makes in Mudlark # 8. There are two long interviews with her, one by Tom Beckett and another with Thomas Fink. Read a review of her Incessant Seeds by Thomas Fink on Jacket.
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