The principle of my part of this reading was the old addage
SOMETHING NEW
SOMETHING BORROWED
AND
SOMETHING BLUE
something concrete; something conceptual/amusing and something performative.
SOMETHING OLD
‘Implosive Samples: Exploded Sestina’ from Neutral Drums (published by Writers
Forum, with images by Patricia Farrell in 1997), also in Complete Twentieth Century Blues (p. 239)
I read from the sequence ‘Petrarch 3’ (which came out of my
need for a plain text translation of that poem for my ‘form’ chapter on PeterHughes and Tim Atkins):
The ‘original’: ‘That pitiful morning when the light of
Heaven…’
‘Pet’ (dog)
‘Petrak: the first English sonnet, Good Friday 1401’ (Middle
English)
‘A Florentine Vampire in Paris’ (Baudelaire-Petrarch)
SOMETHING BLUE
‘Bad Mornin’ Blues’ (blues version of Petrarch’s sonnet)
which sang with harmonica; there was a PA so I made some use of it. In E.
‘VE Day 1985’ (after Wayne Pratt)
and finally – suddenly all the lights went out – I tapped
the mic and that was still working; luckily the lights came one again before I
could think what to do, for the final
Playing the harmonica (not eating a burger) |
Read about the new paperback Complete Twentieth Century Blues here.
The EUOIA is examined here. And Sophie Poppmeier appears
here. My post on the Petrarch Boys, Peter Hughes and Tim Atkins may be read here. The ‘original’ poem appears there too.
Patricia read a new long work, only one title to her set list: ‘Logic for Little Girls’.