Robert Sheppard: The Meaning of Form published a year ago today

It's a year since my latest critical volume was published. See here. For a full description and for links. Much of the early thinking occurred on this blog, so look out for those posts too; see HERE.   

You can also purchase individual chapters in e-format...

 Introduction: Form, Forms and Forming (see here)

1. Veronica Forrest-Thomson: Poetic Artifice and Naturalization in Theory and Practice (see here)

2.  Convention and Constraint: Form in the Innovative Sonnet Sequence (see here)

3. Translation as Transformation: Tim Atkins’ and Peter Hughes’ Petrarch (see here)

4. Meddling the Medieval: Caroline Bergvall and Erín Moure (see here)

5. Translation as Occupation: Simon Perril and Sean Bonney (see here)

6. Rosmarie Waldrop: Poetics, Wild Forms and Palimpsest Prose (see here)

7. The Trace of Poetry and the Non-Poetic: Conceptual Writing and Appropriation in Kenneth Goldsmith, Vanessa Place and John Seed (see here)

8. Stefan Themerson: Iconopoeia and Thought-Experiments in the Theater of Semantic Poetry (here)

9. The Making of the Book: Bill Griffiths and Allen Fisher (see here, where else?)

10. Geraldine Monk’s Poetics and Performance: Catching Form in the Act (see here)

11. Form and the Antagonisms of Reality: Barry MacSweeney’s Sin Signs (see here)

For those who can buy the book, or order it for libraries, here are the places to go to:

UK http://www.palgrave.com/gb/book/9783319340449

US http://www.springer.com/us/book/9783319340449

Amazon: https://www.amazon.co.uk/Meaning-Contemporary-Innovative-Poetry-Poetics/dp/toc/3319340441

Here is some book data:

eBook ISBN

978-3-319-34045-6

DOI

10.1007/978-3-319-34045-6

Hardcover ISBN

978-3-319-34044-9

If anybody wants to review it, let me know on shepparr@edgehill.ac.uk.