1. ‘Round
Midnight’, the first poem in History or Sleep, my selected poems, see
here: https://robertsheppard.blogspot.com/2013/12/stan-tracey-im.html
2. ‘Prison
Camp Violin, Riga’, from History or Sleep and Berlin Bursts and anthologized
in the Carcanet anthology Smart Devices. The right analogy was to call it my 'hit single'. See here: https://robertsheppard.blogspot.com/2018/07/robert-sheppard-my-prison-camp-violin.html
and here: https://robertsheppard.blogspot.com/2020/01/prison-camp-violin-riga-anthologised-in.html
3. ‘The
Hippest Man to Walk the Planet’, a poem about Ray Charles, from Liverpool (Hugs
and) Kisses (with Robert Hampson). See here: https://robertsheppard.blogspot.com/2015/01/robert-hampson-and-robert-sheppard.html
4. ‘Beefore
or Never’, the piece commissioned for the Captain Beefheart Weekend at the
Bluecoat in 2017. See here: https://robertsheppard.blogspot.com/2017/11/robert-sheppard-reading-at-doped-in.html
5. I
then read two galleries from the Charms and Glitter project, music poems which accompany the poems of Trev Eales. See here: Pages: Whatever happened to the book Charms and Glitter? (robertsheppard.blogspot.com)
6. I
finished with one of the ‘Poems of National Independence’, part of British
Standards, which was addressed to Trev Eales (and recalls our trip to see
the Who in 1976) -https://robertsheppard.blogspot.com/2020/02/real-beginning-of-new-series-of.html
Patricia
Farrell read from her Logic for Little Girls, which is also forthcoming
from Knives Forks and Spoons.