Showing posts with label Eleanor Rees. Show all posts
Showing posts with label Eleanor Rees. Show all posts

Friday, March 22, 2019

Robert Sheppard: Four Burnt Journal poems published on Litter (links)

I’m pleased to say I have four of my ‘Burnt Journal’ poems published on Alan Baker’s intermittent but active blogzine Litter, published by his Leafe Press.

You may read them here.

‘Burnt Journals’, like ‘Empty Diaries’, which they superficially resemble, come with dates attached, in this case: 1968, 1977 (twice!) and 1978. The poems are written as birthday poems, and the largest group published is in my book Berlin Bursts. (Two of them are also on this blog, ‘Burnt Journal 1924’ (the earliest, as it were), written for my father, and ‘Burnt Journal 1939’ for Lee Harwood. See here and here.) I find the writing of ‘occasional’ poems quite demanding, but the technique and materials I have used for this (non-) sequence often produces good results. Not always though (as with any series). The rough aim is to create a mirage, rather than a description, of the particular year: after all, the recipients won't remember it!

Method: I take the person’s birth year and turn to the relevant pages of Tom Phillips’ anthology The Postcard Century (it's arranged chronologically, 1900-2000) and write through/from the images until I have  amassed enough material to process/collage/work through, in ways as I described in my non-delivered ‘talk’ about my use of photographs, here. In a sense, this domesticates the techniques I used to write ‘Empty Diaries’ where I collected notes made from multiple sources over a long period of time. Here I’m not ashamed to acknowledge that some of the selecting has been undertaken by Phillips before me. And usually, these poems have to be produced quickly for events (as is the case with three out of the four here), as well as simply for the deadline/birthday!

The four presented on Litter are all for men, but that’s a coincidence of availability, the ones I had free to send, since others are for Geraldine Monk, Frances Presley, Mary Prestege…

‘Burnt Journal 1968’ was written for Simon Perril, and you may read about the occasion here. There’s more about Simon here too. (There’s quite a lot of material about Simon as poet and critic on this blog, and there are additional links in these.) This will be appearing in my little book of little poems, Micro Event Space to be published by Red Ceilings Press later this year.

‘Burnt Journal 1977’ (or rather the first and second) were written for Chris McCabe (who held a birthday do in the Ship and Mitre) and for James Byrne (who I think was not around for his actual birthday). I found there were enough photographs in the Phillips book for two poems.

The same with ‘Burnt Journal 1978’, because I’d used the same materials to write a very different birthday poem a few years before for Eleanor Rees (see here or here: Burnt Journal 1978). This new one, ‘Parade’ was written for my colleague, the novelist, short story-writer and biographer Rodge Glass, as a request for his birthday ‘do’, which is described here. I like that line about ‘Calculated misreadings of Adorno’.

Other ‘Burnt Journals’ available online include one for Frances Presley here, and one for Patricia Farrell, here. (The last one is newly revised.)   
  
I know what you’re thinking: what will I do when I face the first millennial? Answer: I don’t know. Maybe that’s when I’ll start my other un-written (non)series ‘Drowned Books’ using different materials!


Friday, January 27, 2017

Storm and Golden Sky: We're Calling it a Day (a Friday, actually)


Charles Bernstein and Susan Bee reading September 2016

After nearly three years, the organisers of Storm and Golden Sky have decided to call it a day. The decision, I think, was made by the three remaining organisers fairly independently. I definitely felt that the Allen Fisher reading felt like the end, as I organised it alone. It was a great reading, but I couldn’t quite see into the future for another event. None had been arranged.

I’m proud of what we achieved and I was surprised (given I’ve also been smoothly running poetry readings at Edge Hill since 1998-ish (take a look here for a description of that series) and was part of the Sub-Voicive Readings in London for a number of years before that, not to mention the Collected Works readings at our house a few years ago) how difficult it was. The runaround to find another venue for the Brown-Corcoran reading was a steep learning curve. (The staff at Bluecoat were wonderful in accommodating us.) The moment when Elly and I managed to lock ourselves out of that reading (which was in full flow) and our immediate and uncontrollable hysterics perhaps sums it all up.

It was good to organise readings for some of the great writers of our time (look at the list) but I also particularly enjoyed meeting people I didn’t know before, who delighted by their performances: Sophie Collins, Claire Potter, Sophie Mayer, Lauren De Sa Naylor and Nathan Walker. 



A (hopefully) Complete List of Storm and Golden Sky readings in the Caledonia, Liverpool

Organised by Eleanor Rees, Robert Sheppard, Michael Egan, Nathan Jones (with Michael dropping out during 2015)

February 28th 2014: Crispin Best and Melissa Lee-Houghton (with 10 minute sets by Eleanor Rees, Robert Sheppard, Michael Egan, Nathan Jones).

March 21st 2014: Sarah Corbett and Lee Harwood

April 25th 2014: Keston Sutherland and Zoe Skoulding

May 30th 2014: Joanne Ashcroft and Rhys Trimble (with short set by Nathan Jones)

June 27th 2014: Evan Jones and Holly Pester

July 18th 2014: Helen Tookey and Niall Campbell

September 26th 2014: Sophie McKeand and Tom Jenks

October 31st 2014: Richard Barrett and Sophie Collins

November 28th 2014: Steve McCaffery and Karen MacCormack (with short set three voice piece by Robert Sheppard, Jo Blowers and Steve Boyland. Steve also performed briefly with Steve McCaffery as HEN STEP)

January 30th 2015: Claire Potter and Tim Atkins

February 27th 2015: Luke Kennard and Claire Trévien

March 27th 2015: Maggie O’Sullivan and Chris McCabe

April 24th 2015: Tim Allen and JR Carpenter

May 29th 2015: Ross Sutherland and Patricia Farrell

June 26th 2015: Andy Brown and Kelvin Corcoran (with long supporting set by Maria I. Bennett). This reading occurred at Bluecoat.

July 31st 2015: Eleanor Rees and Robert Hampson

September 25th: Natasha Borton and John Redmond

October 30th 2015: Alan Halsey, Geraldine Monk with singer Steve Boyland

November 27th 2015: Sandeep Parmar and Robert Sheppard (with short set by Adam Hampton)

January 29th 2016: James Byrne and Leanne Bridgewater

February 26th 2016: Lizzie Nunnery and Scott Thurston

April 29th 2016: Nathan Jones and Sarah Crewe (with short set by Abigail Goodhart)

May 27th 2016: Sophie Mayer and Jeff Hilson

June 24th 2016: Mark Greenwood and Rachel Sills

July 22nd 2016: Lauren De Sa Naylor and Nathan Walker (Liverpool Biennial Fringe Event)

September 30th 2016: Charles Bernstein and Susan Bee (Liverpool Biennial Fringe Event)

October 28th 2016: Yvonne Reddick and (Andrea Brady was ill so Robert Sheppard, Patricia Farrell, James Byrne and Tim Allen read with very little preparation)

November 25th 2016: Allen Fisher and (Linda Stupart was ill so 8 Edge Hill poetry writing students read: Rob Edge, Brendan Quinn, Phil Carter, Izzy Lamb, Bill Bulloch, Jen Murphy, Laura Tickle and one other with a couple of days preparation)

NB: Hannah Silva read a short set at one of the earliest readings.  

That’s exactly 70 readers by my counting, which is a hit to be proud of.
Me
Reading photographs of Charles Bernstein and Susan Bee, Charles, Susan and Robert Sheppard © and courtesy of Adam Hampton: September 30th 2016.