Showing posts with label short stories. Show all posts
Showing posts with label short stories. Show all posts

Sunday, October 27, 2019

Bill Griffiths; Six Ghost Stories for the darker nights

I have done this before, provided all the links to the 'ghost stories' of Bill Griffiths on this blog.

In 2005 I read a marvellous ghost story in Neon Highway written by Bill. I told him what I thought of it and he said he had more, both published in book form (Seaham Tales) and unpublished. I offered to publish six new ones - and did so, on Pages, one per month.

Enjoy this English municipal Gothic, Griffiths-style. Now the nights are drawing in, it's a good time to pick up on these. I hope you don't mind these raw links. They are numbered (excerpt number 5, oddly)


http://robertsheppard.blogspot.co.uk/2005/10/bill-griffiths-ghost-stories-1-tommy.html


And my reading of Bill's The Book of the Boat may be accessed here

Links to videos celebrating the launch of the third volume of Bill's Collected Poems may be accessed here. His stories await their collector. 

Monday, September 05, 2016

Charles May on Salt's Best British British Short Stories 2016

The important critic and theorist of the short story, Charles May, has been blogging about the Salt anthology I have a short story in, here, with a particular post that features, in part, my story 'Arrivals' here.

Read more on the anthology here, and on my book Words Out of Time from which it has come, here. (It's the only 'short story' in it.)

Tuesday, June 28, 2016

Robert Sheppard published in Best British Short Stories 2016 (and The Only Life revisited)


Best British Short Stories invites you to judge a book by its cover – or more accurately, by its title. This series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere (that includes Europe). The brief of editor Nicholas Royle (a Belgophile) is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to reprint all in one volume. Here it is.

It is the Guardian book of the month. Buy it here.

I'm pleased to say I'm in it. It contains my story 'Arrivals', a short narrative capriccio from my autrebiography Words Out of Time. It works well on its own, I feel, as an allegory about adoption.There's a review of Words Out of Time here.

This new anthology also includes stories by: Claire-Louise Bennett, Neil Campbell, Crista Ermiya, Stuart Evers, Trevor Fevin, David Gaffney, Janice Galloway, Jessie Greengrass, Kate Hendry, Thomas McMullan, Graham Mort, Ian Parkinson, Tony Peake, Alex Preston, Leone Ross, John Saul, Colette Sensier, DJ Taylor, Greg Thorpe and Mark Valentine.

Words Out of Time may also be obtained here.

The question of my fiction-writing is an interesting one. I have another Knives Forks and Spoons book containing three stories, The Only Life. Edge Hill is famous (through its annual Prize) for its support of the short story form, and something rubbed off a few years ago, and I found myself developing ideas for stories, and some survived. The three stories in The Only Life are about writers: Keats on his 80th birthday, the life of the Esperanto poet Tropp, and a bloke from York who writes poems about the Gulf War (probably the best of the three, though Tropp was a dry-run for A Translated Man). 

The Only Life may be bought here.

I'm hoping that there might be a bit of interest in this on the back of my appearance amid the august company in the Salt book. (And it's great to see former MA student Trevor Fevin (see here) there rubbing shoulders with Gaffney and Galloway and Evers and Mort, to pick out some names.)

There is a sort of fiction in A Translated Man and another fable in Unfinish but these four stories are my first attempts at writing fiction since I walked into Malcolm Bradbury and told him I wanted to enter poems from my MA. (I was the first.) That was 1979. Pre-Thatcher, probably. But that's another story. A guide to other recent publications may be read here. My next publication consist of garters (really!) 



Wednesday, March 05, 2014

Bill Griffiths Collected Poems Launch videos

 On Saturday 1st March Reality Street Books launched the second Collected Poems and Sequences by Bill Griffiths in London. The editor Alan Halsey invited a few people who had helped him in his exacting task in some way. My claim to be there was on the basis of a few suggestions I made to Alan about the integrity of text-image interplay in The Book of the Boat. My writings on that may be read here. Apologies for raw links below, but I've embedded the ensemble piece for four voices.   
 
then readings from Griffiths' work by




Ensemble above (Fisher, Mendoza, Sheppard, Edwards)



Geraldine Monk (& guest appearance by the Anglo-Saxon scop Gavin Selerie) - http://www.youtube.com/watch?v=J2QwPupSyuY





Links to links to Bill Griffiths' stories on Pages here.

Tuesday, February 25, 2014

Bill Griffiths Ghost Stories on Pages


In 2005 I read a marvellous ghost story in Neon Highway written by Bill Griffiths. I told him what I thought of it and he said he had more, both published in book form (Seaham Tales) and unpublished. I offered to publish six new ones - and did so, on Pages, one per month. To celebrate his new Collected Poems but also aware of his absence, here are the links to the ghost stories. Enjoy this English municipal Gothic, Griffiths-style. I hope you don't mind these raw links. They are numbered.


http://robertsheppard.blogspot.co.uk/2005/10/bill-griffiths-ghost-stories-1-tommy.html







And my reading of Bill's The Book of the Boat here

(Note: the image at the top comes from the Poetry Buzz in 2005, a celebration for Allen Fisher, with Lawrence Upton, Rob Holloway, usefully holding the amp, Bill reading, Allen listening: Brixton. There's another picture of Bill waiting to read at Edge Hill University here.)

Friday, September 27, 2013

Carys Bray and Joanne Ashcroft book news

Carys Bray is one of the PhD students I share with Ailsa Cox and she has been writing her novel Here We Are Together with us for a while. We had no doubt that this was a brilliant piece of writing, at once lively, moving and satisfying as literary artefact. A good read too.

So it is great to be able to go public on the news that it has been taken up by Hutchinson and you can read about the book deal here. And look into the future here.

 Well done Carys!





It is also pleasing to announce that another PhD student JoanneAshcroft’s book Maps and Love Songs for Mina Loy won the Purple Moose Prize 2102 and that the book of these astonishing poems is finally available after some delay. She will be reading at the Blue Bus in London soon.
Well done Joanne!




Carys and Joanne both studied the MA at Edge Hill University with me. In fact they were the first cohort of the full time MA. This kind of news is what keeps one going. Thanks for the whiskey, Carys, and Joanne thanks for the Purple Moose (what else?) beer!


Tuesday, April 10, 2012

Robert Sheppard Feature




There is currently a feature on my work at Litter magazine here


It contains excerpts from a new work, Arrival, an autrebiography of sorts, here.


There is a review of its predecessor, The Given (Knives Forks and Spoons) by Litter editor, Alan Baker here.


There is a re-print of Scott Thurston’s review of The Lores, part of Twentieth Century Blues, here.


Thanks Alan.

Wednesday, January 25, 2012

Robert Sheppard: The Only Life (book of short stories)



My first booklet of short stories is out. The Only Life

Three short stories about poets.

His fictional poets begat fictional poems, of course, which lie as fragments of greater wholes, marvellous or ludicrous, in teasing virtuality. These stories – their styles range from the clipped short-short to the expansive experimental – give us the world as only a poet could, as kinds of poem, for our delight and horror. But in writing only of poets he writes of everything else. The fog of history and the steam of sex are intermingled in these intricate, absorbing and often funny, poignant stories.

‘A classic triptych of moods and movements, forensic, sharp-elbowed, with a ripeness you can taste. Sheppard's prose curves elegantly between ease and disease, live ghosts and city shadows. Borgesian, teasing, wise.’

- Iain Sinclair

This book is available to buy for £5 from http://www.knivesforksandspoonspress.co.uk ( or as
part of its 3 for £10 deal: and I recommend recent books by Ken Edwards and Adrian Clarke).

Wednesday, January 31, 2007

Robert Sheppard: Love Life - a short story

I have been writing fiction lately, and this piece, Love Life, was written at the invitation of Manchester band Performance, particuarly Joe Stretch, using one of their song titles as a starting point. It is now posted on their website, along with stories by Nicholas Royle and others.

Unfortunately, they seem to have mistyped the title ‘Love Live’. An eagle eye is needed to detect the division of the story into its four sections.
It begins:


Love Life
When Sam was a history student the married couple in the larger room next door borrowed his chair for three months.

Imitation black leather with a high metal frame. An uncomfortable compromise between easy chair and desk chair. For the whole term he could stand or even hop a couple of paces, and he could sprawl on the hard bed with his books and Michael Jackson’s Bad, but he couldn’t sit to relax or write his essays and poems. And he couldn’t invite round June, the girl he was starting to see.

He passed his neighbours every day in the narrow corridor leading to the residence’s single kitchen where he boiled an egg or two. She was wiry with a tangle of limp hair, but she smiled, books under her arm. Sam strained to catch their titles. The husband ignored him, stomping by in his blue overalls. He wasn’t a student but, Sam guessed, worked out at Doncaster or somewhere. He always carried a batch of red top newspapers to sell.

They needed the chair for their weekly meetings. Muffled debate pulsed against the hollow partition walls. He would hear the man say, on more than one occasion, and louder than the rest of their talk: ‘When Lenin started out he had only as many as we are today!’….

Now read the whole story (there’s onanism, novelty condoms, and suicide bombers to look forward to)  not by clicking here, as this post used to say,

http://www.weareperformance.co.uk/home.php?id=8:2:11

for the Performance website has long gone but the story remains.

It is available in my three short stories collection The Only Life, which is published by Knives, Forks and Spoons at http://www.knivesforksandspoonspress.co.uk/theonlylife.html

Wednesday, October 26, 2005

Bill Griffiths: Ghost Stories 1: TOMMY

The clocks go back next weekend (in Britain) and the winter months draw in. It is time for a ghost story or two - even if they don't have actual, virtual or artefactual ghosts in them - but who better than Bill Griffths to tell them to us. I read a wonderful piece in Alice Lenkiewicz' magazine Neon Highway called 'Fog', and asked Bill if he had more. He had six, which (one a month) will last us through until Spring. Check his own web-page and see the smoke rising from his chimney, and much more. (See a picture of Bill reading on Page 473 (July 2005.)



TOMMY
Boldly I went up to the door and knocked.
“I want to join the party.”
The man at the door looked at me for a moment, in a detached sort of way. “You cannot,” he said with an almost amused calmness. As though I was not a member of their club.
Behind him I could see lots of people, men, women, not all old. My age too. “There’s youngsters there too,” I pointed out, so he knew he wasn’t fooling me, but keeping it pleasant, like.
Just as mild, he gave a sympathetic shake of the head, and shut the door.
Not rudely, but as an older more wise chap might deal with a bairn.
It rattled me.
What were they? What sort of posh crew, them? Wasn’t I good enough?
I went round the side to look in a window. There was quite a lot of them. Not exactly merry, chatting in little groups, easy enough. ‘Mebbe there’s nae alcohol,’ I thought. But it looked sociable enough, not some prayer meeting or lecture or nowt, and they was a curious mix to be getting on so well, I thought. Some were right old. But there were some me Dad’s age, and a scattering of young-un’s. And somewhere a baby or two was settin’ off its voice.
One or two of the old folk looked my way and noticed me. They gave me such a glare of challenge – or mebbe just astonishment – I had to give up and walkt away.


I had every right to be curious. So many people are leaving our estate to get work, there’s empty houses a-plenty. When no one expects it, a block or so gets knocked down. It depends on what pattern they fall empty in. And then just as often, other people move in. From outside the estate. Exactly, we want to know about them. Especially if they’re the sort to throw parties.
Just once a pair of houses were joined into one, to make a bail hostel. That caused commotion enough. What with packets changing hands on the street and break-ins at the houses round, it wasn’t long before the local residents got together and had it shut down.
But always there were new people coming in. Councils sent them here, hearing there was spare housing. Sad cases, and wrong cases, and belligerent types, so you always wanted to know who they were, what they were like, as soon as possible.
Only I wasn’t having much success here.
“What about that corner house, then, Mam?” I asked at tea-time.
She looked oddly at me. “They’ll keep themselves to themselves,” she said. Suggesting I should dee the same.


I was round there again after dusk. Surely the get-together would end some time. They would set off – somewhere – I could ask one or two as they came out. That seemed fair.
Only there was no sign of change. A dim light was on now, simple blinds were down, so I had to move around a bit to find a chink and get some notion of what was happening. There seemed no less of them (after all no one but me had come knocking on the door; no one came out). As far as I could make some shadowy sense of it – more were sitting down now, it looked more relaxed somehow. Occasionally someone got up and went through a door at the back. Perhaps they were getting a bit bait or summat. But I saw none of them returning. Were they going to bed? Did they all stay there?
The house didn’t seem big enough. I set out to prove it. Being a corner house that wasn’t so easy. A receding corner, that is, so you couldn’t see how big the house itself might be, or how widely the garden fanned out. I could try from round the back. This meant going to the next street, or so I thought. But I plain got lost. At least, I got to where I thought it should be, but then there were other houses and gardens in the way. I clambered over into a back garden here, in case I could get through; but then I lost my bearings, the houses opposite looked all the same; a dog began barking; I gave up. Bedtime.


“Tom, where do you gan when ye’re deed?”
“A gert big serpent swallers ye up.”
“Wi googly een?”
“Weel, he wad, if’n he’d swallered ye.”
“Ye’re funnin’.”
“Aareet, what d’ye reckon?”
“Mebbe things just stop.”
“Or mebbe ye just carry on i’ sum other place.”
“How d’ye knaa?”
“It maks sense. Nowt ends, dizzit?”
“Oh.”
“Sae gan ti sleep willyer?”


All the same, mi little brother gave me an idea.
I walked up to the door, and knocked.
A woman answered; she waited for me to speak first.
“Is Jake there?”
Her mute face registered alarm. She kinda gestured with her eyes, at the room behind her, mebbe not meaning to. She never moved to let me in or auht.
“Jake!” I shouted.
I thought I caught a glimpse of my marra – just a flash as of a turned heed – or someone caught unaware – or was it him?
I was trembling now.
The woman looked at me not unkindly. “I think you’d better leave now,” she said.
It was a suggestion, not an order.
I was too dazed to reply.
The door quietly closed.


Did I want to meet Jake again?
Did I dare?


It took a coupla days afore A’d worked that through; and then the house was empty again. Everyone had went. Everyone.



Page 484

There will be another Bill Griffiths story next month. Two poems of his may be found here.