The only other thing I’ll say about the book is that it has a
preface by Charles Bernstein, which developed out of his message about
'aesthetic justice' recorded in Liverpool
after his Storm and Golden Sky reading, outside the Belvedere pub. Here.
but
these are my thoughts, whereas Joey Francis (who also has a long interview with
me here., if you didn’t see it) wrote a long report of the day (I spotted him head down, scribbling like a demon) for which we are all appreciative:
Frances, J., (2017). Robert Sheppard Symposium. It's
in the online version of the Journal of British and Irish Innovative Poetry,
now edited by Scott Thurston and Gareth Farmer, here!
These photos of conference sessions taken by Rob Edge (who took some of the pics in Atlantic Drift).
You can see them all thinking here, whilst Antony Rowland talks.
In the evening
a reading by some of the most prominent poets in the UK followed: Allen Fisher, Robert
Hampson, Zoe Skoulding, Antony Rowland, Patricia Farrell, Nikolai Duffy, Rhys
Trimble, Natasha Borton, Scott Thurston, Andrew Taylor and others (like dancer Jo Blowers, voice artist Steve Boyland). See here
for all the videos.
My own reading from ‘Break Out’ and the then work in
progress ‘Hap: Understudies of Thomas Wyatt’s Petrarch’ (both parts of ‘The
English Strain’) may be viewed here. And here, where I've embedded it:
These sonnets Hap:Understudies
of Thomas Wyatt’s Petrarch are now published;
see here: https://robertsheppard.blogspot.com/2018/10/robert-sheppard-hap-understudies-of.html
and are available from Knives Forks and Spoons.
see here: https://robertsheppard.blogspot.com/2018/10/robert-sheppard-hap-understudies-of.html
and are available from Knives Forks and Spoons.
But that's not all. We also mounted a Ship of Fools exhibition, which documented the
micro-publishing of Robert Sheppard and Patricia Farrell (1985-2017), and there are lots of photographs
of that accessible through another hub post
here.